Category Archives: Buster Keaton

Buster Keaton, Seven Chances, and Warren Beatty?

Warren Beatty’s audacious and scarily prescient political satire Bulworth (1998) depicts Beatty as a California Senator seeking reelection who’s become so disillusioned with the ineffectiveness of politics that he hires a hit man to finish him off. Suddenly liberated to … Continue reading

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Buster Keaton, The General, and Animal House?

As shown in this previous post describing how Buster Keaton filmed The General in Cottage Grove, Oregon, Buster and crew stayed at the Bartell Hotel during the production, staged the summer of 1926. The hotel stands just a block or … Continue reading

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The Chaplin – Keaton – Lloyd Hollywood Alley

Three of the greatest silent comedies of all time, Charlie Chaplin’s The Kid (1921), Buster Keaton’s Cops (1922), and Harold Lloyd’s Safety Last! (1923), were each filmed at a small Hollywood alley you can still visit today. Running east-west between … Continue reading

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Silent Witness – the House that Watched Over Chaplin and Keaton

The sturdy two-story home once located at 1022 Cole Avenue had a front row seat to some of the most remarkable scenes in early Hollywood history. Its rear dormer window looked down on the humble open air stage where Charlie … Continue reading

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Amazing New Keaton Discoveries – My Wife’s Relations

An astonishing new Keaton stunt, Buster’s return visit to a classic apartment house, and yet another surprise appearance of the Cops – The Kid – Safety Last! Hollywood alley – the Lobster Films restoration of My Wife’s Relations (1922), with … Continue reading

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Reflections on Keaton’s Cops at the SF Silent Film Festival

The San Francisco Silent Film Festival starts next week, with another wide and varied lineup of classic silent films accompanied with live musical performances. Comedy fans will be especially interested in the Saturday morning program, introduced by Leonard Maltin, where … Continue reading

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Buster in Cops Cruising Santa Monica Boulevard

Buster Keaton’s famous short film Cops (1922) remains his only self-produced movie that was filmed completely out of doors, with no interior scenes. Early in the film Buster helps Big Joe Roberts into a taxi in front of the Pantages … Continue reading

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