Tag Archives: Silent Comedies

Buster with a Bullitt – Keaton and Steve McQueen’s SF Stunts

Recent posts show Buster Keaton crossed paths with Orson Welles in Venice, California (The High Sign and Touch of Evil), and with Alfred Hitchcock in San Francisco (Day Dreams and Vertigo). This time Keaton and ‘King of Cool’ actor Steve … Continue reading

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Keaton and Hitchcock’s Vertigo Day Dreams

Filmed on location in San Francisco, Alfred Hitchcock’s masterpiece Vertigo (1958) provides tantalizing mid-century glimpses of the City in sparkling VistaVision color. Remarkably, when Scottie (James Stewart) traces Madeleine (Kim Novak) by car back to his own apartment, they cross … Continue reading

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Keaton’s Cops and Go West – Peeking Over the School Fence

Rebuilt over the years, but pre-dating 1912, the Vine Street (Colgrove) Elementary School still stands between Romaine and Willoughby, kitty-corner from the site of the former Keaton Studio block in Hollywood. The back of the school, with its distinctive series … Continue reading

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Chaplin – Inside “The Kid” Maternity Hospital

In a prior post, How Charlie Chaplin Filmed The Kid, I explain that the former Occidental College Hall of Letters building, once visited by Presidents Taft and Teddy Roosevelt, portrays the Dickensian maternity hospital where single mother Edna Purviance is … Continue reading

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Buster Keaton, The General, and Animal House?

As shown in this previous post describing how Buster Keaton filmed The General in Cottage Grove, Oregon, Buster and crew stayed at the Bartell Hotel during the production, staged the summer of 1926. The hotel stands just a block or … Continue reading

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How Chaplin Filmed The Champion – on Location in Niles

The upcoming San Francisco Silent Film Festival’s Day of Silents winter program this December 3 at the Castro Theater offers something for everyone, from Ernst Lubitsch’s 1926 Jazz Age gem So This is Paris, to the Oscar’s first ever Best … Continue reading

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The Chaplin – Keaton – Lloyd Hollywood Alley

Three of the greatest silent comedies of all time, Charlie Chaplin’s The Kid (1921), Buster Keaton’s Cops (1922), and Harold Lloyd’s Safety Last! (1923), were each filmed at a small Hollywood alley you can still visit today. Running east-west between … Continue reading

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